It is upwards of 40 degrees celsius today in Toronto. Our school’s Welcome Orientation had to be inside, and I felt barfingly aware of the difficult future we’ve left our collective children. I was able to fake it and make it happen (meditation, baby!), but when I left to drive home in the heat my mood bottomed right out. I can see it now, locate it in my body, not fixate on it – but I am still feeling a massively sad anger. I won’t go on about it, but I share it just in case you were wondering if you were alone in feeling heavy after this too-hot summer. You’re not.
Music, Though
I have been having a lot of musical fun, revisiting some great 80s stuff and some rotten 80s garbage. I’ve found some record-bin treasure that I’ll share soon – funny, interesting Canadiana.
For now, I’ll indulge myself and share a few current non-80s fixations, starting with Lucinda Williams’ “Honeybee,” which made me bark-laugh out loud the first time I heard it. It rocks hard, it’s full of joyful lust, and the delivery is punk-gorgeous.
Our old friend Celia turned me on to Orville Peck, and I am slowly absorbing his oeuvre. Amazing – spend a moment.
Orville P. also does Bronski Beat’s classic “Smalltown Boy” with his low, low voice, in contrast to Jimmy Somerville’s angel-with-a-high-voice delivery. So fun.
Tom Robinson Band released this gem in 1978 – a wry-versed anthem with an on-the-nose chorus. I’m surprised I hadn’t heard it before, but it’s on rotation every day now. His delivery and voice make me think of Young Canadians/Art Bergman.
And I’m coming around to The Style Council, thanks to Marjan, and have “Internationalists” on repeat. What a song.
Stay frosty. Touch grass. Breathe.
I hope you’re cool.
jep
Excellent post. I empathize with your heat-affected pain, though I’m lucky enough to be in the seemingly one temperate climate of the northern hemisphere. Oakland,CA. I think the hottest it’s been here is 28. And then only for a couple of days.
Musically, great picks. That Lucinda song is amazing and I’ve been following Orville Peck since his debut and he’s only gotten better. And he certainly knows how to reinterpret a classic.